On the wall of a room plunged in the most absolute decadence and putrefaction, a gloomy canvas of ancient appearance covered with a repulsive patina of mold and dried organic fluids can be distinguished. The painting, executed with thick brushstrokes and impasto in a tenebrist style, portrays a Dantesque scene worthy of the visions of Hieronymus Bosch himself. In the foreground, a monstrous amalgam of twisted bodies, deformed limbs and faces unhinged in grimaces of agony merge into a motley and indescribable mass. Secondary mouths with yellowish fangs open at impossible angles while tentacular appendages writhe among hanging viscera and exposed bones. Amorphous forms of non-human features swirl in a whirlwind of mutilated limbs and putrid flesh. The surrounding environment is a hellish landscape of cracked cliffs, crumbling towers and stormy skies of dense inky clouds. Abominable creatures of delirious anatomy prowl among the filth spilling greenish fluids from their maw. All bathed in a suffocating atmosphere of livid, yellowish and scorching red tones. The very surface of the canvas oozes viscous textures that are repulsive to the touch, with sticky ichor stains, overflowing pustules and layers of fluff and cobwebs adhering to create a grotesque three-dimensional relief. The entire piece seems to transpire an unearthly stench of putrefaction and sulfur.